A young, big, husky, good-looking boy, nineteen or twenty. He has the openness, generosity, vigor and health of youth. He’s had a little time in the service, but he is not what one would call disciplined. An athlete at the local college, he is also a model in Marie’s art class. They are having a heavy fling.
| Scene | Setting | Lines |
|---|---|---|
| Act One, Scene I | Morning in late spring. | 26 |
| Act One, Scene II | The same evening, after supper. | 40 |
| Act Two, Scene I | The following morning. | 0 |
= You have a physical copy of a program from this production stop in your personal collection.
| Collection | Opening Night | 👤 Performer | 🎭 Production Name | 🏢 Stage |
|---|---|---|---|---|
| 24 Jan 2008 | Brian J. Smith | Come Back, Little Sheba | Biltmore Theatre New York City, New York, United States | |
| 24 Jan 2008 | Daniel Damon Joyce(understudy) | Come Back, Little Sheba | Biltmore Theatre New York City, New York, United States | |
| 3 Oct 1961 | Maurice O'Callaghan | Come Back, Little Sheba | Civic Arts Theatre Belfast, Northern Ireland, United Kingdom | |
| 15 Feb 1950 | Lonny Chapman | Come Back, Little Sheba | Booth Theatre New York City, New York, United States |