Early 40’s and a bit frumpy but still with some signs of her youth. She is a contrast to her husband’s neat cleanliness.
| Scene | Setting | Lines |
|---|---|---|
| Act One, Scene I | Morning in late spring. | 151 |
| Act One, Scene II | The same evening, after supper. | 91 |
| Act Two, Scene I | The following morning. | 41 |
| Act Two, Scene II | Late afternoon the same day. | 20 |
| Act Two, Scene III | 5:30 the next morning. | 46 |
| Act Two, Scene IV | Morning, a week later. | 32 |
= You have a physical copy of a program from this production stop in your personal collection.
| Collection | Opening Night | 👤 Performer | 🎭 Production Name | 🏢 Stage |
|---|---|---|---|---|
| 24 Jan 2008 | S. Epatha Merkerson | Come Back, Little Sheba | Biltmore Theatre New York City, New York, United States | |
| 24 Jan 2008 | Caroline Stefanie Clay(understudy) | Come Back, Little Sheba | Biltmore Theatre New York City, New York, United States | |
| 3 Oct 1961 | Doreen Hepburn | Come Back, Little Sheba | Civic Arts Theatre Belfast, Northern Ireland, United Kingdom | |
| 15 Feb 1950 | Shirley Booth | Come Back, Little Sheba | Booth Theatre New York City, New York, United States |